1. Directed by=Bong Joon Ho
  2. star=Chris Evans
  3. 2013
  4. Set in 2031, the entire world is frozen except for those aboard the Snowpiercer. For seventeen years, the world's survivors are on a train hurtling around the globe creating their own economy and class system. Led by Curtis (Chris Evans), a group of lower-class citizens living in squalor at the back of the train are determined to get to the front of the train and spread the wealth around. Each section of the train holds new surprises for the group who have to battle their way through. A revolution is underway
  5. Jean-Marc Rochette

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This is without question the biggest pile of steaming doggy doo you will ever see. Waste a couple of hours for yourself. I did! Terrible Terrible film. I think it was written by a child in reception his dinner break! awful! The story doesn’t make sense, the acting is woeful… I fail to see what anyone can get out of going to see this movie. I believe the director should stick to his day job, because movies just ain’t cutting it for him. This film is a cut above the rest in terms of shockingly badness. I am writing this review in complete shock for what I have just sat through! This isn’t even a story. its truly truly rotten to the core. I dare you to watch it and say its anything else! I am amazed this was funded.

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Apart from a couple of bad CGI shots, there is very little to critique, technically, with this film. The premise is highly interesting; the cinematography is very good, if not particularly spectacular or eye- catching; the acting and directing are fantastic; the plot is gripping; the script is well-written and the characters surprisingly believable. Points also to the director for managing to take the thriller – a notoriously and rabidly conservative/reactionary (if banally so) genre – and succeed in turning out a thoroughly Marxist product.
Of course, as a conservative/reactionary myself, I’m not about to let this slip by without a word or two about the film’s politics. The film is, as mentioned, unabashedly Marxist, though at the same time too cynical and not cynical enough. Resources are scarce and we can’t provide for everyone? No problem: we’ll just launch a nice Holodomor/nuclear war (which is exactly what they do at the end. Socialist fairy tales of old had all the people living happily ever after; postmodern tales of despair has everyone die off. In this one, the few survivors of the Stalinian crime get to live happily ever after.
The film is also extremely racist. On one level, this was intentional: the train carrying the survivors of humanity sports specimens of all phenotypes, but in the end, the only white survivor is a polar bear, and the only human survivors are an Asian female and a black male. Clearly, according to this film, the future 1. belongs to Asians and Africans; the West can move over, and 2. involves heavy miscegenation. (But thank God we’ve cleansed the world of those awful white people genes!
At the same time, on a more subtle level, the film is white supremacist to a degree that would make a Ku Klux Klansman blush. For the Asian and African survivors were guided along the way by their white enablers, who protected them, retrieved them, and taught them everything they needed to know to survive. Even the Asian technical genius in this film could never have pulled his redemptive stunt without his white C.E.O. Do the terms “White Man’s Burden” and “Little Brown Brother” ring a bell? Of course this is a reflection of the fact that the modern leftist is simply a different kind of bigot from his early twentieth-century eugenicist counterpart: rather than wanting to exterminate all the brown people, he wants to make them all Just Like Us: sexually libertine, materially prosperous, deracinated hedonists going about “our own business.”
A truly fascinating piece that I can’t get out of my head. A very serious work of cinema that deserves attention.

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